Fear Component: Documentary Filmmakers Acquire Bold Threats in Pursuit of the Reality
When Bryan Fogel established out to make “The Dissident,” his intrepid and arresting exposé on the assassination of Saudi Washington Publish columnist Jamal Khashoggi in Istanbul in 2018, he understood there ended up myriad security dangers included. There was the make a difference of Khashoggi’s killing—a brutal just one, his human body sawed into parts—at the palms of a Saudi murder squad, a dying that US intelligence organizations have decided with a high diploma of certainty was purchased by the Saudi Crown Prince, Mohammed bin Salman. (To date, the US has leveraged zero sanctions against Saudi Arabia, nor meted out any punitive measures.) But there was risk lurking all over every corner of this significant-octane thriller, one that sent a shiver of terror down the spines of not only profession journalists, but human legal rights activists and political dissidents globalwide. Fogel, a cinematic troubadour in the dogged pursuit of truth
